Editorial

Raphael and his cult

There is an unhappy irony in the fact that five hundred years after Raphael died of a fever at the age of only thirty-seven, the global covid-19 pandemic has brought to a premature end so many of the exhibitions that have been staged to mark the anniversary. 

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Exhibition Review

Boston’s Apollo: Thomas McKeller and John Singer Sargent. Isabella Stewart Gardner Museum, Boston

‘For a moment, the crowd was silent and then whispers rose and whispers deepened and became murmuring that grew into a broad, full voice’. In November 1925 the Boston Evening Transcript reported on the unveiling of John Singer Sargent’s murals at the Museum of Fine Arts, Boston.

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• Articles (6)
• Books (9)
• Exhibitions (8)

• 

  Peregrinating Rome and Jerusalem in Enguerrand Quarton’s ‘Coronation of the Virgin’

  By Alexandra Gajewski
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• 

  An inventory of the art collection of Etienne-Nicolas Dutartre de Bourdonné, 1782

  By Christophe de Quénetain,Moana Weil-Curiel
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• 

  The ‘fortuna critica’ of the ‘Maiden of Lille’

  By Laurence Riviale
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• 

  New light on Pierre Bonnard’s wife and model Marthe

  By Lucy Whelan
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• 

  Picasso and the foundry of Emile Robecchi during the Second World War

  By Clare Finn
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• 

  Gillian Wilson (1941–2019)

  By Reinier Baarsen
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• The Painter’s Touch: Boucher, Chardin, Fragonard. By Ewa Lajer-Burcharth

  By Colin B. Bailey
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• Pleasure and Politics at the Court of France: The Artistic Patronage of Queen Marie of Brabant (1260–1321). By Tracy Chapman Hamilton

  By Lindy Grant
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• The History of Venetian Renaissance Sculpture (c.1400–1530). By Anne Markham Schulz

  By Caterina Fioravanti
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• The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media. By Livia Stoenescu

  By José Riello
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• The Print Collection of Cassiano dal Pozzo: Architecture, Topography and Military Maps (The Paper Museum of Cassiano dal Pozzo, Series C: Prints, Part 2). Edited by Mark McDonald

  By Joseph Connors
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• Becoming Property: Art, Theory, and Law in Early Modern France. By Katie Scott

  By Elena Cooper
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• Henri Vever: Champion de l’Art nouveau. By Willa Z. Silverman

  By Richard Warren
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• Between Worlds: The Art of Bill Traylor. By Leslie Umberger

  By Anne Monahan
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• Matisse and Decoration. By John Klein

  By Karl Buchberg
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• Jean-Jacques Lequeu: Visionary Architect. Drawings from the Bibliothèque nationale de France. Morgan Library and Museum, New York

  By Barry Bergdoll
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• Making the Renaissance Manuscript: Discoveries from Philadelphia Libraries. Goldstein Family Gallery, University of Pennsylvania, Philadelphia

  By Roger S. Wieck
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• Mantegna: Making Antiquity Modern. Palazzo Madama, Turin

  By Antonio Mazzotta
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• Luca Giordano: From Nature to Painting. Museo e Real Bosco di Capodimonte, Naples

  By Caterina Volpi
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• George Stubbs: The Man, The Horse, The Obsession. Mauritshuis, The Hague

  By Alex Kidson
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• Boston’s Apollo: Thomas McKeller and John Singer Sargent. Isabella Stewart Gardner Museum, Boston

  By Xavier F. Salomon
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• Fantastic Women: Surreal Worlds from Meret Oppenheim to Frida Kahlo. Schirn Kunsthalle, Frankfurt

  By Jennifer Mundy
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• The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s. Blanton Museum of Art, University of Texas at Austin

  By Ann Reynolds
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