Fifteen years ago a clever British public-relations agency nominated the third Monday in January ‘Blue Monday’, on the basis that a combination of short days, cold weather, holiday-incurred debt and the failure of new year’s resolutions makes it the most depressing day of the year (in the northern hemisphere at any rate).
When Eleanor Tufts published Our Hidden Heritage: Five Centuries of Women Artists in 1974, she lamented in concluding a short chapter on Artemisia Gentileschi that ‘despite all the recognition given to her paintings [...] no book has ever been written on this major artist of the seventeenth century’.