Editorial

Art history in the Anthropocene

On 31st october delegates from almost two hundred countries will assemble in Glasgow for COP26 – the twenty-sixth ‘Conference of the parties’, referring to the parties to the United Nations Convention on Climate Change.

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Exhibition Review

The Colours of Nadia

Paris exerted a powerful magnetic draw on young artists in the 1920s. Eager to engage with the city’s avant-garde artistic traditions, they flocked from all over Europe and beyond to create the cosmopolitan mix of talents that became known as the École de Paris.

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• Articles (7)
• Books (11)
• Exhibitions (15)

• 

  The Empress Dowager Cixi’s Japanese screen and late Qing imperial cosmopolitanism

  By Mei Mei Rado
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• 

  The nude male form in Chen Yanqiao’s woodblock prints and cartoons, 1934–35

  By Elizabeth Emrich-Rougé
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• 

  The fate of Chinese history painting in an age of ideology

  By Yiqiang Cao
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• 

  The restoration of ‘Young woman reading a letter at an open window’ by Johannes Vermeer: final report

  By Uta Neidhardt,Christoph Schölzel
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• 

  Study for ‘Worn out’: a newly discovered Van Gogh drawing

  By Teio Meedendorp
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• 

  John Ayers (1922–2021)

  By Rose Kerr
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• 

  Jane Roberts (1949–2021)

  By Martin Clayton
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• Henri Bertin and the Representation of China in Eighteenth-Century France

  By Kee Il Jr Choi
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• Seeking Transparency: Rock Crystals Across the Medieval Mediterranean

  By Lesley Milner
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• Vasari, Michelangelo and the ‘Allegory of Patience’

  By Beverly Louise Brown
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• Giulio Cesare Procaccini: Life and work with a catalogue of his paintings

  By Stéphane Loire
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• Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700

  By Mirjam Hähnle
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• Reframing Japonisme: Women and the Asian Art Market in Nineteenth- Century France, 1853–1914

  By Alice S. Legé
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• The Asian Modern

  By Marv Recinto
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• Modern Art for a Modern China: The Chinese Intellectual Debate, 1900–1930

  By Paul Bevan
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• The Velislav Bible, Finest Picture-Bible of the Late Middle Ages: ‘Biblia Depicta’ as Devotional, Mnemonic and Study Tool

  By Frederica C.E. Law-Turner
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• Korean Treasures: Rare Books, Manuscripts and Artefacts in the Bodleian Libraries and Museums of Oxford University, vol.2

  By Sarah Bolwell
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• A Mediated Magic: The Indian Presence in Modernism 1880–1930

  By Archishman Sarker
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• The Women of Art: Stories of Women Between the Sixteenth and Seventeenth Centuries

  By Jörg Zutter
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• Fede Galizia: Admirable Paintress

  By Jörg Zutter
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• Nero: The Man Behind the Myth

  By Christine Gardner-Dseagu
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• The Making of Rodin

  By Melanie Vandenbrouck
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• The Colours of Nadia

  By Jennifer Mundy
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• Ivan Kožarić: A Retrospective – One of 100 Possible Ones

  By Penelope Curtis
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• Fighting, Hunting, Impressing: Arms and Armour from the Islamic World 1500–1850

  By Arthur Bijl
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• Marinus: Painter from Reymerswale

  By Larry Silver
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• Le renouveau de la Passion: La sculpture religieuse entre Chartres et Paris autour de 1540

  By Jeremy Warren
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• Conversations with God: Jan Matejko’s Copernicus

  By Celina Fox
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• Young Poland: The Polish Arts and Crafts Movement, 1890–1918

  By Celina Fox
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• Hippolyte, Paul, Auguste: Les Flandrin artistes et frères

  By Michael Clarke
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• Soutine / de Kooning: Conversations in Paint

  By Merlin James
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• VKhUTEMAS 100: School of Avant-garde

  By Konstantin Akinsha
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• Cy Twombly: Making Past Present

  By Isabelle Loring Wallace
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